Rose Finn-Kelcey
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The Restless Image: a discrepancy between the seen position and the felt position, 1975
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Untitled: Boxing Glove and Bubble #2, c. 1970 / 2019
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Divided Self (Speakers’ Corner), 1974 / 2011
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Blushing Book Vol I, 1977
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Glory, 1984
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2020
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Power for the People, 1972 / 2011
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Steam Installation, 1992
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Here is a Gale Warning, 1971 / 2011
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It Pays to Pray, 1999
Rose Finn-Kelcey (1945-2014) lived and worked in London. Finn-Kelcey first came to prominence in the early 1970s as an artist central to the emerging communities of performance and feminist art in the UK. The nature of Finn-Kelcey’s work is diverse, both in form and subject matter. She offers wit as a point of access into her work, allowing a wide audience to consider topics as varied as life, death and spirituality communicated with depth and profundity.
Finn-Kelcey’s work has been included in the permanent collection re-hangs at Tate Britain, London (2023) and The National Portrait Gallery, London (2022). Solo exhibitions include Bureau de Change, Tate Britain, London, UK (2019); Rose Finn-Kelcey: Life, Belief and Beyond, Modern Art Oxford, Oxford, UK (2017); Rose Finn-Kelcey, Milton Keynes Gallery, Milton Keynes, UK (2006); Bureau de Change, The Irish Museum of Modern Art, Dublin, Ireland (2003) and Rose Finn-Kelcey, Camden Arts Centre, London, UK (1997).
Group exhibitions include Women in Revolt! Art and Activism in the UK 1970-1990, Tate Britain, London, UK (2023) and National Galleries of Scotland, Edinburgh (2024-25); Dhaka Art Summit 18, Bangladesh (2018); It Is Just A Beginning, National Gallery of Modern and Contemporary Art, Rome, Italy (2018); Sculptors’ Papers from the Henry Moore Institute Archive, Whitechapel Art Gallery, London, UK (2015); Keywords: Art, Culture & Society in 1980s Britain, Tate Liverpool, UK (2014); Modern British Sculpture, The Royal Academy of Art, London, UK (2011); Live in Your Head: Concept and Experiment in Britain 1965-75, Whitechapel Gallery, London, UK (2000); Young British Artists Part 2, The Saatchi Gallery, London, UK (1993); Documenta IX, Kassel, Germany (1992) and Out of Actions: Between Performance and the Object 1949-1979, Museum of Contemporary Art, Los Angeles, USA (1998). Finn-Kelcey’s work is included in the collections of The Museum of Modern Art, New York; Tate, London; The National Portrait Gallery, London; The Scottish National Gallery, Edinburgh, amongst others.
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Rose Finn-Kelcey: Women in Revolt!, National Galleries Scotland, Edinburgh
25 May 2024 - 26 January 2025We're delighted that Rose Finn-Kelcey is included in Women in Revolt! Art and Activism in the UK 1970 - 1990 at National Galleries Scotland. Touring...Read more -
Goshka Macuga on Rose Finn-Kelcey: Frieze Magazine
January/February 2024The essay Flying Through Space Forever, written by Goshka Macuga notes that Finn-Kelcey was an artist committed to probing explorations of private and public spheres,...Read more
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Art Basel
Rana Begum, Marcus Coates, Rose Finn-Kelcey, Dawn Ng, Renee So & Francis Upritchard 13 - 16 June 2024Booth L3Read more -
Frieze Masters
Rose Finn-Kelcey 11 - 15 October 2023Kate MacGarry and the Estate of Rose Finn-Kelcey are delighted to present key conceptual works by Rose Finn-Kelcey (1945-2014) from the 1970-80s at Frieze Masters...Read more -
Art Basel
Bernard Piffaretti, Rose Finn-Kelcey & Rana Begum 23 - 26 September 2021